The X-Men comics had been popular for years, well before
the films of varying degrees of quality were released. The stories in the comic
usually dealt with the X-Men saving the world or universe, bickering among themselves
and also dealing with being “different” from the rest of the human race. The
comic book’s popularity really took off in the ‘80s, Wolverine being the
breakout character. His willingness to kill, and the mystery surrounding his
back story made him one of the most popular characters in comics. As a result,
it makes sense that Wolverine was brought front and center for the films. He
was the focus of all 3 X-Men films, and even got two
spin-off movies. But when the first film, X-Men was released fans of the
original property had some issues:
“Why was Wolverine not in one of his classic costumes?”
“Why was Cyclops so short? Shouldn't he be as tall as or
taller than Jean Grey?”
“What’s up with Halle Berry’s wig?”
The Lord of the Rings stories had been in print for decades
and was considered un-filmable. Many felt that the stories were too dense and
the environments could never be reproduced to make a credible movie, let alone
a series of them. But in 2001 the first movie of the trilogy, The
Fellowship of the Ring was released and was very well received at the
box office. The movie was praised for its visuals, the acting and just being
able to adapt the story so well. But again, folks had some issues.
“Why was the location of the fight with the Ring Wraiths
changed?
“Why is Aragorn bitchin’ about the throne?”
“What happened to Tom Babaldi?”
As Hollywood continues to adapt comic books, books and
even video games into films, these types of complaints and second guessing will
continue to come up a lot. For both of the examples above, the prevailing feeling
seems to be if it was in the source material, that adaptation needs to include
it as well. Costumes, minor conversations, “if it was in there when I first
read it”, they say “then it needs to be there when I go to see your movie. And
if it isn't you have ruined my experience and sullied the legacy of the
original.”
All of the
complainers have another option, one that some of them seem to rarely exercise;
if you are going to watch, then stop complaining. In the end, someone who is
enjoying the new work may not care about how the story was told the first time.
And if they do, thanks to the internet, they can look it up or just buy it. It
is time for fans to accept that these stories don’t “belong” to you. And while
the directors and studios may add various bits of “fan service” for the
longtime fan, they don’t owe you anything.
No comments:
Post a Comment